Picturing the West: Masterworks of 19th Century Landscape Photography
This focused survey of 19th century American Western landscape photography – in terms of sheer print quality – is arguably the finest in recent memory. The show presents some of the most sumptuous mammoth-plate work extant by Carleton Watkins, William Henry Jackson, Eadweard Muybridge and F. Jay Haynes and provides a great opportunity to compare and contrast their approaches to capturing the “sublime” in the unspoilt Western landscape.
The exhibition title itself involves a subtle double-entendre: not only are these pictures of the West, but it makes us ruminate on the fact that, to a large degree, pictures such as these were the means by which the American public came to understand the Western frontier in its collective mind's eye. In other words, just as in the mid-20th century, America's collective picture of the West came largely through Hollywood (the films of John Ford and his peers), so too, in the second half of the 19th century, it was really Watkins who taught America what Yosemite looked like, prior to its designation as the nation's first National Park; likewise Haynes with Yellowstone; and Jackson, John Hillers, and Timothy O'Sullivan with the mountain West through their roles as the expeditionary photographers in the official geological surveys conducted by Hayden, Powell, Wheeler and King.
William Henry Jackson, Veta Pass,1882
Carleton E. Watkins, The Domes from Sentinel Dome, 1866
Carleton E. Watkins, Pulpit Rock, Echo Canon, Utah, ca. 1870
John Hillers, Captains of the Cañon (Spider Rock), Cañon de Chelley, Arizona, 1879
Thomas Johnson, Inclined Plane G, Scranton, ca. 1860
Carleton E. Watkins, Distant view of the Domes, Yosemite, Cal., ca. 1880
Eadweard Muybridge, Mt. Hoffman from Lake Tenaya, ca. 1870
Carleton E. Watkins, Tutocanula Pass, Yosemite Valley
William Henry Jackson, Station of the Rio Grande Western, Salt Lake City, ca. 1889
Frank J. Haynes, Grand Canyon of the Yellowstone and Falls, ca. 1880
As highlighted in the accompanying text panels, Picturing the West resonates with museum audiences on several different levels simultaneously. It is, first of all, a visual synopsis of the Era of Exploration in American history, and a touchstone for discussion of the issues involved in the opening of the American West. Secondly, the show works on a purely aesthetic level: a great Watkins mammoth plate is now seen as comparable to a great painting by Thomas Cole, Thomas Moran or Albert Bierstadt. And thirdly, through their memorable pictures, we come to know a truly colorful group of American pioneer artist-entrepreneurs, ranging from Haynes, the multi-tasking concessionaire of Yellowstone; to Hillers, whose spiritual communing with the Indians led them to christen him “Myself in the Water”; to Muybridge, who adopted his unspellable name after emigrating from England, beat a sensational murder rap, and – thanks to a famous wager involving Leland Stanford – invented stop-action photography and secured his place in history as the “Father of the Motion Picture.”
A small selection of rare East Coast mammoth plates is also included for purposes of comparison, most notably a triple-mammoth Jackson panorama of Lake Placid, NY.
This exhibition features works by:
Henry Hamilton Bennett
F. Jay Haynes
John Hillers
William Henry Jackson
Thomas Johnson
Eadweard Muybridge
Timothy O'Sullivan
Carleton E. Watkins
William Rau
Charles Savage
Charles Bierstadt
Biographical information about photographers featured in the exhibitions
Number of photographs: 51
Frame sizes: various from 18 x 22 inches to 28 x 88 inches
Rental fee: $19,500 for eight weeks plus shipping and insurance. Additional weeks are 10 percent per week.